Let’s travel around the Caribbean for a tour of the names and origins of some of these musical styles, including those being further popularized today by some of the hottest artists.

reggaetón

Bad Bunny is one of the most streamed artists in the world, meaning he’s taken the genre known as reggaetón far beyond the countries of Puerto Rico and Panama, where it originated. The word reggaetón was first recorded in English in the early 2000s, and it’s basically a combination of reggae (a name that originated in the genre’s birthplace, Jamaica) and the ending -tón, the Spanish version of -athon used in words like marathon (or maratón). Reggae has long been popular throughout all of the Caribbean, and in the 1990s, various artists created the blend now known as reggaetón, which combines Spanish rap lyrics with a vigorous percussive beat for dancing.

cumbia

While the worldwide popularity of reggaetón is a relatively recent phenomenon, many of the words used today to refer to Caribbean music date back hundreds of years. That’s the case with cumbia, “a dance music of Colombian origin, similar to salsa and using guitars, accordions, bass guitar, and percussion.” Colombia has a coastline on the Caribbean Sea, across from Cuba and Puerto Rico, a proximity that led these places to influence each other musically.

bachata

Bachata, “a Latin American musical genre in the style of a ballad, featuring guitars, percussion, and singing,” originated in the Dominican Republic. The word bachata is believed to have been first recorded in Spanish in the 1920s from West African origins (possibly an abbreviation of cumbancha, which is also related to cumbé). Because of its poignant, often heartbreaking lyrics, this type of music was originally known as amargue (“bitterness” or “bitter music”).

merengue

The word merengue—the name of both a dance and the music for it—was first recorded in Puerto Rico and the Dominican Republic in the 1840s. The name shares a connection with Krio maringa, the Jamaican Creole merengue, and Haitian Creole mereng. There may be a relation to the dessert meringue (which is typically made from a mixture of egg whites and sugar). The connection to the confection is unclear, but it may be a reference to the idea that the dance is a “mixture” or due to its quick, rhythmic steps (like whipping up a dessert). Merengue is known for its romantic themes and is based on a five-beat pattern known as a quintillo.

cha-cha-cha

Speaking of the ballroom, the cha-cha-cha is a fast ballroom dance from Cuba with a quick, three-step movement. The word likely imitates the musical sounds accompanying the dance. The name was shortened to cha-cha (probably first in the US) in the 1950s as it gained popularity.

bomba

Dating back to the 1600s, the bomba is another exciting musical blend created by the diverse peoples of Puerto Rico. Bomba mixes the sound of maracas—a traditional Taino instrument—with African drum beats and a penchant for improvisation. Early bomba songs were improvised by enslaved workers to pass time in the sugar fields. Similarly, enslaved people in the US cultivated their own musical styles, including blues and gospel. Bomba (which means “bomb” in Spanish) is still used at protests today.

plena

Plena developed from bomba in the early 1900s in Puerto Rico, fusing African, Caribbean, and Spanish sounds. Its early songs were passed along through towns as a periodico cantado (“sung newspaper”) full of gossipy tales and local happenings. These were often satirical or protest songs with participatory elements. Traditional instruments for the heavily percussive plena include a hand drum (pandereta), maracas, accordions, and the Latin American guiro (a hollowed gourd that is scraped).

salsa

Salsa (which means “sauce” in Spanish) is derived from the Latin salsus, or “salty.” This music combines other well-known genres (including bomba and plena) into a “lively, vigorous popular music, blending predominantly Cuban rhythms with elements of jazz, rock, and soul music.” Salsa has roots in Cuba, Puerto Rico, the Dominican Republic, and New York City in the 1930s, and one musicologist even traces its origins to one specific Cuban song: “Échale Salsita” (“Put Salsa On It”).

rumba

The term rumba differs a bit from others on this list as it has been used over time and in different places to refer to completely unrelated types of music and dance. The name is sometimes applied to Congolese music from the mid-1900s. Other senses of the word relate to Cuba (where the word rumba is sometimes used generally to mean “party”), but even these are distinct. In the US during the 1920s, rumba became known as a ballroom dance with Afro-Cuban rhythms—but this is largely unrelated to the music that Cubans call rumba. This rumba, which is considered an essential part of Cuban culture, gets its name from the Spanish rumbo (“spree, party”) and is ultimately derived from the Latin rombo (or “rhombus”), in reference to a compass.

bolero

This romantic Cuban genre (unrelated to the Spanish dance also called bolero) developed in the late 1800s. The name bolero is believed to be derived from the Spanish word for ball (“bola”), coming from the Latin bulla (“round swelling, knob”), in reference to the circular motion of its accompanying dance.

vallenato

One of the most famous musical genres from Colombia’s Caribbean region, the vallenato, relies on accordions and drums for its signature sound. Lyrics typically follow a tale, often a sad one—Colombian author Gabriel Garcia Marquez compared his novels to “one long vallenato.” The music was born in the city of Valledupar (known in Spanish as the “valley of [Indigenous chief] Dupar”). A person born in this valley would be called a vallenato.

guajira

Let’s talk about another musical phenomenon: “We Don’t Talk About Bruno.” The hit from 2021’s Encanto is, like so many Caribbean and Latin American creations, a mix. There are definitely elements of Latin pop and salsa blended together, but the song also draws inspiration from a Cuban style known as guajira, according to composer Lin-Manuel Miranda.